publikacje
Revisiting Heritage
Pokonferencyjna publikacja "Revisiting Heritage" wydana przez Fundację Arton oraz Akademię Sztuk Pięknych w Warsawie jest dostępna nieodpłatnie na issu.com oraz w wersji papierowej.
https://issuu.com/fundacjaarton1/docs/arton_book_revisiting_heritage_-_pd
Redakcja: dr Marika Kuźmicz
Proof-reading: Christopher Smith
Tłumaczenie: Łukasz Mojsak
Projekt i skład: Tomasz Zapała
Recenzja: prof. Marta Leśniakowska, Instytut Sztuki PAN, Warszawa
© Arton Foundation, 2019
© Akademia Sztuk Pięknych w Warszawie, 2019
ISBN 978-83-938029-6-8
ISBN 978-83-66098-32-9
Autorki i Autorzy:
Liesbeth Decan: “A” View on Belgian Art: Notes on Guy Schraenen and the Belgium-Poland Connection
Sandra Križić Roban: Not only on Women’s Day: Women in Croatian photography after the 1950s
Marika Kuźmicz: From Forgotten Heritage to Unwritten Stories
Leonida Kovač: Heritage, Legacy, Tradition, Transmission, Transformation, and So Forth
Elnara Taidre: Discovering a Total Work of Art in the Home (and) Archive of Tõnis Vint
Jelena Pašić: The Transformative Potential of Gorgonian Photography: The Case of Miljenko Horvat
Lana Lovrenčić: The Petar Dabac Archive
Radosław Maciej Przedpełski: Elements of Think Crazy Topology. Encountering Neo-Avant-Garde Practices of Marek Konieczny through Ludwiński and Deleuze
Peter Tuka: The Avant-Garde and Post-War Totalitarianism: Július Koller and Conceptual Art under Communism1
Wiktoria Szczupacka: Foksal Gallery, Women and Labour of Love in the 1960s and 1970s
Petra Skarupsky: Official Exhibitions from Czechoslovakia in Poland as a Tool for Remapping
the History of Art in Central Eastern Europe during the Cold War
Łukasz Jastrubczak: Recollection of the Last Exhibition
Karol Radziszewski: Queer Archives Institute: Institution as an Art Practice
Pavlína Morganová: Performance Art: Remembered, Photographed and Filmed, Exhibited, Sometimes Even Re-enacted
Daniel Muzyczuk: Is It Right to Perform an Installation? Between Reconstruction and Performance of a Score
Agnė Narušytė: The Aesthetics of Boredom in Lithuanian Photography
Barbara Borčić: DIVA Station and Artists’ Archives
Laura Leuzzi: The Fourth Encounter in Motovun (1976): A Platform for Experimentation for Early Video Art
https://issuu.com/fundacjaarton1/docs/arton_book_revisiting_heritage_-_pd
Redakcja: dr Marika Kuźmicz
Proof-reading: Christopher Smith
Tłumaczenie: Łukasz Mojsak
Projekt i skład: Tomasz Zapała
Recenzja: prof. Marta Leśniakowska, Instytut Sztuki PAN, Warszawa
© Arton Foundation, 2019
© Akademia Sztuk Pięknych w Warszawie, 2019
ISBN 978-83-938029-6-8
ISBN 978-83-66098-32-9
Autorki i Autorzy:
Liesbeth Decan: “A” View on Belgian Art: Notes on Guy Schraenen and the Belgium-Poland Connection
Sandra Križić Roban: Not only on Women’s Day: Women in Croatian photography after the 1950s
Marika Kuźmicz: From Forgotten Heritage to Unwritten Stories
Leonida Kovač: Heritage, Legacy, Tradition, Transmission, Transformation, and So Forth
Elnara Taidre: Discovering a Total Work of Art in the Home (and) Archive of Tõnis Vint
Jelena Pašić: The Transformative Potential of Gorgonian Photography: The Case of Miljenko Horvat
Lana Lovrenčić: The Petar Dabac Archive
Radosław Maciej Przedpełski: Elements of Think Crazy Topology. Encountering Neo-Avant-Garde Practices of Marek Konieczny through Ludwiński and Deleuze
Peter Tuka: The Avant-Garde and Post-War Totalitarianism: Július Koller and Conceptual Art under Communism1
Wiktoria Szczupacka: Foksal Gallery, Women and Labour of Love in the 1960s and 1970s
Petra Skarupsky: Official Exhibitions from Czechoslovakia in Poland as a Tool for Remapping
the History of Art in Central Eastern Europe during the Cold War
Łukasz Jastrubczak: Recollection of the Last Exhibition
Karol Radziszewski: Queer Archives Institute: Institution as an Art Practice
Pavlína Morganová: Performance Art: Remembered, Photographed and Filmed, Exhibited, Sometimes Even Re-enacted
Daniel Muzyczuk: Is It Right to Perform an Installation? Between Reconstruction and Performance of a Score
Agnė Narušytė: The Aesthetics of Boredom in Lithuanian Photography
Barbara Borčić: DIVA Station and Artists’ Archives
Laura Leuzzi: The Fourth Encounter in Motovun (1976): A Platform for Experimentation for Early Video Art
